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Samples available here: OptiColour 200 Sample Photos
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 200/24°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
Also available in 35mm (DX Coded) – OptiColour 200 135
OptiColour 200: Daylight balanced film
This is the 120 Medium Format version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters.
It's a new emulsion, created and coated by InovisCoat in Germany. OptiColour 200 is the Wolfen NC200 emulsion in both 120 and 35mm. The medium format version is only available from Optik Oldschool.
This new film features natural colours, good contrast, great greens and reds and awesome skin tones, setting itself apart significantly from the other films of the NC series (NC400/500). The film has an orange base, which makes it easier to handle when scanning in the Lab.
Photographers featured on the product page:
Wenisilviani Jong @weni.jong
Sebastian Trägner @traegi
Tobias Müller @geldbier
Our films are cold stored @ 3° Celsius
Samples available here: OptiColour 200 Sample Photos
Type: Colour Negative Film
Format: 135 / 35mm
Sensitivity: ISO 200/24°
Exposures: 36
Development: C-41
Also available in 120 Medium Format – OptiColour 200 (120)
OptiColour 200: Daylight balanced film
This is the 35mm version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters now also fits in your 35mm format camera.
It's a new emulsion, created and coated by InovisCoat in Germany. OptiColour 200 is the Wolfen NC200 emulsion in both 120 and 35mm. The medium format version is only available from Optik Oldschool.
This new film features natural colours, good contrast, great greens and reds and awesome skin tones, setting itself apart significantly from the other films of the NC series (NC400/500). The film has an orange base, which makes it easier to handle when scanning in the Lab.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 4x5
Sensitivity: ISO 200/24°
Sheets: 25
Development: C-41
OptiColour 200: Daylight balanced film
OptiColour 200 sheet film is a large format ISO 200 colour negative film with natural colour reproduction, balanced contrast and exceptionally fine grain.
Based on the NC200 emulsion, it delivers a classic, slightly warm look with outstanding detail and smooth tonal transitions. Ideal for fine art, landscape and studio work. Available in 4×5, 5×7 and 8×10.
Our films are cold stored @ 3° Celsius
The OptiColour 200 Bulk Kit comes with 30.5 m / 100 ft of bulk film and 3 empty OptiColour 200 35mm canisters for loading your own rolls.
Type: Colour Negative Film
Format: 135 / 35mm Bulk Film
Length: 30.5 m / 100 ft
Sensitivity: ISO 200/24°
Development: C-41
OptiColour 200 is our ISO 200 daylight-balanced colour negative film, now available as a 30.5 m / 100 ft bulk roll for loading your own 35mm canisters.
The emulsion is created and coated by us at InovisCoat in Germany and is based on the Wolfen NC200 emulsion. OptiColour 200 is available from us in 35mm, 120 and sheet film formats – and now as bulk film for those who prefer to load their own rolls.
It delivers natural colours, balanced contrast, particularly strong greens and reds, and pleasing skin tones, setting it apart significantly from the other films in the NC series such as NC400 and NC500. Its orange film base also makes it easier to handle and achieve consistent results when scanning in the lab.
With 30.5 metres of film, one bulk roll is enough for approximately 18 × 36-exposure rolls, depending on how you load your canisters.
IMPORTANT: OPEN AND LOAD BULK FILM ONLY IN COMPLETE DARKNESS.
Our films are cold stored at 3°C.
Type: Colour Negative Film
Format: 5x7
Sensitivity: ISO 200/24°
Sheets: 25
Development: C-41
OptiColour 200: Daylight balanced film
OptiColour 200 sheet film is a large format ISO 200 colour negative film with natural colour reproduction, balanced contrast and exceptionally fine grain.
Based on the NC200 emulsion, it delivers a classic, slightly warm look with outstanding detail and smooth tonal transitions. Ideal for fine art, landscape and studio work. Available in 4×5, 5×7 and 8×10.
Our films are cold stored @ 3° Celsius
OptiColour 200: Daylight balanced film
This is the 35mm version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters now also fits in your 35mm format camera.
OptiColour 200: Daylight balanced film
This is the 120 Medium Format version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters. This new film features natural colours, good contrast, great greens and reds and awesome skin tones!
SEAM STRAP - Camera Summer "OptiColour"
This camera strap is not only functional, but also a real eye-catcher! It features a unique, striking pattern that sets it apart from the rest. The camera strap is made of high-quality BioThane, a material known for its exceptional durability, flexibility, and water resistance.
Your camera strap will remain reliable and durable, even in difficult conditions. The nylon strap is particularly strong, yet lightweight and comfortable to carry – ideal for those who are always on the go and looking for maximum durability.
The patterned design adds a stylish touch and makes you stand out from the crowd! Get your camera strap now and experience maximum functionality, style, and a unique design!
Equipped with protective leather!
Material: Our camera straps are made from various materials, including leather, metal, waxed seam, glue, plastic, polypropylene or nylon. This depends on the product. Leather is a natural product and may have color variations or minor blemishes.
Available in 3 lengths: 90 cm | 100 cm | 120 cm
Send your films here:
Optik Oldschool
Augustastr. 14
40477 Düsseldorf
Germany
C-41 colour film processing for 120
For all regular colour negative films in 120 medium format.
Scan sizes:
Fuji Frontier
645 = 4842x3649px
6x6 = 3637x3637px
6x7 = 4547x3649px
Noritsu HS1800
645 = 4824x3533px
6x6 = 4760x4832px
6x7 = 5902x4815px
These are the biggest sizes these scanners can produce. They offer great flexibility to edit, to post in social media and print big! If you have a favourite scanner, please let us know. Otherwise we'll make the choice for you.
Push Processing: +0,50€ per roll.
Please indicate on the roll if pushing is needed.
We push C-41 film up to 2 stops.
Lab turnaround time varies from 5 to 7 working days.
Which chemicals do you use?
We develop colour film using the excelent FUJIFILM Hunt chemicals. We monitor the status of our chemistry with Fuji control strips. We use distilled water exclusively.
What happens to my negatives?
We offer to cut and sleeve your negatives in pergamine archival files at an extra cost of 0,50€ per roll. Alternatively we will archive the uncut rolls safely for up to one year.
Once your order is fully processed, you can pick up the negatives from the lab in person or have them mailed back to you.
If you don't want to keep your negatives, we can dispose these for you.
How can I access my scans?
Scans are being delivered in JPG format as a ZIP archive (1 per roll) to download. The name of the archive features the roll ID, scanner type and film name.
Download links are kept active for at least 4 weeks.
Prices are per roll.
Send your films here:
Optik Oldschool
Augustastr. 14
40477 Düsseldorf
Germany
C-41 colour film processing
For all regular colour negative films + special B/W films such as Ilford XP2.
Scan sizes:
Fuji Frontier - 5444x3649px
Noritsu HS1800 - 6774x4492px
These are the biggest sizes these scanners can produce. They offer great flexibility to edit, to post in social media and print big! If you have a favourite scanner, please let us know. Otherwise we'll make the choice for you.
Push Processing: +0,50€ per roll.
Please indicate on the canister if the roll needs to be pushed.
We push C-41 film up to 2 stops.
Lab turnaround time varies from 5 to 7 working days.
Which chemicals do you use?
We develop colour film using the excelent FUJIFILM Hunt chemicals. We monitor the status of our chemistry with Fuji control strips. We use distilled water exclusively.
What happens to my negatives?
We offer to cut and sleeve your negatives in pergamine archival files at an extra cost of 0,50€ per roll. Alternatively we will archive the uncut rolls safely for up to one year.
Once your order is fully processed, you can pick up the negatives from the lab in person or have them mailed back to you.
If you don't want to keep your negatives, we can dispose these for you.
How can I access my scans?
Scans are being delivered in JPG format as a ZIP archive (1 per roll) to download. The name of the archive features the roll ID, scanner type and film name.
Download links are kept active for at least 4 weeks.
Prices are per roll.
Carry keys in style!
35mm film canister keyrings / keychains are the perfect companions to show your support for analogue photography.
Choose your favourite film canister, your keys will love it!
Send your films here:
Optik Oldschool
Augustastr. 14
40477 Düsseldorf
Germany
C-41 colour film processing for 4×5
For all regular colour negative films in 4×5 format.
Scan size per Sheet:
Long side 13.000 px
Push Processing: +0,50€ per roll.
Please indicate when placing you order if pushing is needed.
We push C-41 film up to 2 stops.
Which chemicals do you use?
We develop colour film using the excelent FUJIFILM Hunt chemicals. We monitor the status of our chemistry with Fuji control strips. We use distilled water exclusively.
What happens to my negatives?
We will archive your film safely for up to one year.
Once your order is fully processed, you can pick up the negatives from the lab in person or have them mailed back to you.
If you don't want to keep your negatives, we can dispose these for you.
Prices are per sheet.
Type: Colour Negative Film
Format: 8x10
Sensitivity: ISO 200/24°
Sheets: 25
Development: C-41
OptiColour 200: Daylight balanced film
OptiColour 200 sheet film is a large format ISO 200 colour negative film with natural colour reproduction, balanced contrast and exceptionally fine grain.
Based on the NC200 emulsion, it delivers a classic, slightly warm look with outstanding detail and smooth tonal transitions. Ideal for fine art, landscape and studio work. Available in 4×5, 5×7 and 8×10.
Our films are cold stored @ 3° Celsius
Blog
OptiColour 200 | A New Colour Film
