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43 products
![[Pre-Order] OptiMono 100](http://www.optik-oldschool.com/cdn/shop/files/OptiMono100_35mm_ProductImage-1.jpg?v=1784048588&width=1500)
The film is available for pre-order. Orders will be dispatched from July 22nd.
Type: Black/White Negative
Format: 135 / 35mm
Sensitivity: ISO 100/21°
Exposures: 36
Development: B/W
OptiMono 100 is an ISO 100 black and white negative film that combines classic monochrome character with modern workflow flexibility.
Built on a new Filmotec emulsion made in Wolfen, Germany, it delivers fine grain, moderate contrast and smooth tonal transitions, producing negatives rich in detail and subtle greyscale tonality. Rather than favouring strong contrast, OptiMono 100 preserves highlight and shadow detail, making it particularly well suited to scanning, darkroom printing and creative post-processing workflows.
Its tonal response naturally renders red tones slightly lighter and green tones slightly darker. The result is flattering, smooth skin rendition in portraits, while vegetation and natural landscapes gain additional depth, texture and tonal separation.
The film‘s balanced contrast and broad tonal range make it exceptionally versatile across a wide variety of subjects. From editorial and fashion portraiture to landscape and nature photography, OptiMono 100 offers a timeless black and white aesthetic with a refined, contemporary feel.
OptiColour 200: Daylight balanced film
This is the 35mm version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters now also fits in your 35mm format camera.
Samples available here: OptiColour 200 Sample Photos
Type: Colour Negative Film
Format: 135 / 35mm
Sensitivity: ISO 200/24°
Exposures: 36
Development: C-41
Also available in 120 Medium Format – OptiColour 200 (120)
OptiColour 200: Daylight balanced film
This is the 35mm version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters now also fits in your 35mm format camera.
It's a new emulsion, created and coated by InovisCoat in Germany. OptiColour 200 is the Wolfen NC200 emulsion in both 120 and 35mm. The medium format version is only available from Optik Oldschool.
This new film features natural colours, good contrast, great greens and reds and awesome skin tones, setting itself apart significantly from the other films of the NC series (NC400/500). The film has an orange base, which makes it easier to handle when scanning in the Lab.
Our films are cold stored @ 3° Celsius
Samples available here: Optik's Motion DBL-X / Sample Photos
Type: B/W Motion Picture Film
Format: 135 / 35mm
Sensitivity: ISO 250/25°
Exposures: 36
Development: B/W
Optik's DBL-X 250D: Machine spooled KODAK Double-X (5222)
Optik's DBL-X 250D is B/W, daylight balanced motion picture film, machine spooled from fresh KODAK Double-X (5222) cinema rolls. Movies shot on this legendary emulsion are: Stranger Than Paradise (1984), Schindler's List (1993), Memento (2000), Kill Bill: Vol. 1 (2003), Casino Royale (2006) amongst many others...
Kodak Double-X has an overall grainy impression and features strong contrast with soft lights and hard blacks. Double-X's application is very wide ranged. Shoot from ISO100 to 1600 to achieve different looks!
This motion picture film has no remjetlayer. It can be processed by any Lab which processes black & white film.
Our film cassettes are ISO200 DX-Coded.
Our films are cold stored @ 3° Celsius
Type: Motion Picture Film
Format: 135 / 35mm
Sensitivity: ISO 200/24°
Exposures: 36
Development: ECN-2
Optik's Motion 200T: Machine spooled KODAK Vision3 200T (5213)
Optik's Motion 200T is tungsten balanced motion picture film, machine spooled from fresh KODAK Vision3 200T (5213) cinema rolls.
This film offers brilliant colours, a fine tonal range, great shadow detail and fine balanced grain with high sharpness. It is suited for daylight scenes with varied lighting to achieve the cinematic look known from Hollywood movies!
Our film cassettes are ISO 200 DX-Coded.
Our films are cold stored @ 3° Celsius
Samples available here: Optik's Motion 250D / Sample Photos
Type: Motion Picture Film
Format: 135 / 35mm
Sensitivity: ISO 250/25°
Exposures: 36
Development: C-41 or ECN-2
Optik's Motion 250D: Machine spooled KODAK Vision3 250D (5207)
Optik's Motion 250D is daylight balanced motion picture film, machine spooled from fresh KODAK Vision3 250D (5207) cinema rolls.
This film offers brilliant colours, a fine tonal range, great shadow detail and fine grain. Achieve the cinematic look known from Hollywood movies!
Our film cassettes are ISO200 DX-Coded.
Our films are cold stored @ 3° Celsius
Samples available here: Optik's Motion 500T / Sample Photos
Type: Motion Picture Film
Format: 135 / 35mm
Sensitivity: ISO 500/28°
Exposures: 36
Development: C-41 or ECN-2
Optik's Motion 500T: Machine spooled KODAK Vision3 500T (5219)
Optik's Motion 500T is tungsten balanced motion picture film, machine spooled from fresh KODAK Vision3 500T (5219) cinema rolls.
This film offers brilliant colours, a fine tonal range and great shadow detail. Achieve the cinematic look known from Hollywood movies!
Our film cassettes are ISO400 DX-Coded.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film / Air surveillance derived
Format: 135 / 35mm
Sensitivity: ISO 100/21°
Exposures: 36
Development: C-41
SantaColor 100: Daylight balanced film
Made from fresh Kodak Aerocolor, spooled in Finland
SantaColor 100 is a fine-grain, colour negative film compatible with the C41 process (thus manageable by regular photo labs), giving punchy reds and lush greens. The film has a wide exposure latitude, with acceptable results from ISO 25 to 800 (with pulling and pushing). The saturation is higher than with Kodak's professional Portra series, but less saturated and with a longer contrast curve than Kodak Ektar 100.
The film is flexible and can be pushed to ISO 800 with only minor loss of colour accuracy and minor increase in grain. Shot at ISO 400 and pushed +2 stops in development, the film exhibits accurate colours and an almost grainless look, typically associated with films like Kodak Ektar 100 or Kodak Portra 160.
The cartriges are not DX Coded.
Our films are cold stored @ 3° Celsius
