33 products
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33 products
Type: Black/White Negative
Format: 120 Medium Format
Sensitivity: ISO 100/21°
Exposures: 8 (6x9), 10 (6x7), 12 (6x6), 16 (6x45)
Development: B/W
The FilmoTec Wolfen NP 100 is a panchromatic black-and-white negative film with an ISO sensitivity of 100, manufactured in Wolfen, Germany.
Known for its fine grain, sharp details and balanced tonal reproduction, it delivers clean, detailed negatives with a classic black-and-white look. An additional anti-halation layer reduces unwanted light reflections within the film, improving image sharpness and definition.
With its fine grain and versatile characteristics, the NP 100 is a great choice for portraits, landscapes, architecture and everyday photography.
Our films are cold stored at 3° Celsius.
OptiColour 200: Daylight balanced film
This is the 120 Medium Format version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters. This new film features natural colours, good contrast, great greens and reds and awesome skin tones!
Samples available here: OptiColour 200 Sample Photos
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 200/24°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
Also available in 35mm (DX Coded) – OptiColour 200 135
OptiColour 200: Daylight balanced film
This is the 120 Medium Format version of OptiColour 200 from Optik Oldschool. The film we've been working hard on getting out for fellow medium format shooters.
It's a new emulsion, created and coated by InovisCoat in Germany. OptiColour 200 is the Wolfen NC200 emulsion in both 120 and 35mm. The medium format version is only available from Optik Oldschool.
This new film features natural colours, good contrast, great greens and reds and awesome skin tones, setting itself apart significantly from the other films of the NC series (NC400/500). The film has an orange base, which makes it easier to handle when scanning in the Lab.
Photographers featured on the product page:
Wenisilviani Jong @weni.jong
Sebastian Trägner @traegi
Tobias Müller @geldbier
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 400/27°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
CineStill 400D: Daylight balanced film
CineStill 400Dynamic in 120 Medium Format is a fine grain daylight balanced colour negative film that delivers a soft color palette with natural saturation and rich, warm skin tones.
The film has a wide dynamic range, with a base sensitivity of ISO 400, but can be rated from ISO 200 to 800, and it can be pushed up to ISO 1600. This makes the film highly versatile, usable both indoors or in the studio, under virtually any lighting conditions.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film / Cine Film (Remjet removed)
Format: 120 Medium Format
Sensitivity: ISO 50/18°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
CineStill 50D: Daylight balanced film
CineStill 50Daylight in 120 Medium Format is an ISO 50 daylight balanced colour negative motion picture film stock for still photography. Based on the original Vision 3 50D emulsion, this film is prepped and rolled for clean and safe standard photo lab (or at home) processing.
Ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film / Cine Film (Remjet removed)
Format: 120 Medium Format
Sensitivity: ISO 800/30°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
CineStill 800T: Tungsten balanced film
CS800T in 120 Medium Format has been designed for tungsten and low-light photography, this film is suitable for use in a variety of lighting situations to achieve a wide range of looks. This film excels at night time with its distinctive, characteristic halation effect.
The new and improved manufacturing process now extends the shelf life of 800T so that fewer artefacts are observed after the shelf life has expired.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 200/24°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
HARMAN Phoenix II: Sharper. Smoother. More Colourful.
Have you shot the original Phoenix? Wild, bold, unpredictable? Well, Phoenix II is the more refined younger sibling. Still full of character, but now with a sharper edge and a cleaner palette.
What’s new? What’s better? What’s different? Meet Phoenix II:
– Brand-new emulsion, straight from the HARMAN labs
– Smoother grain, less chaos, more clarity
– Improved contrast, more open shadows
– More accurate colours, that pop (scanner-dependent, of course)
– Wider exposure latitude (yet Phoenix II still loves precision)
– Better highlight and shadow retention
Bonus: It plays much nicer with lab scanners – defaults now deliver solid results, but for that perfect look, a little tweak in contrast and colour still helps.
Phoenix II is the evolution of its fiery predecessor. The vibe’s still raw, still exciting – but with a touch more control.
The spirit of experimentation lives on. HARMAN is listening, evolving, and reinvesting every sale straight back into the future of colour film. Use the QR code inside the box, tell them what you love (or don’t), and help shape what comes next.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 125/22°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
HARMAN SWITCH AZURE is a fun, playful, creative film. You can expect your colours to ‘SWITCH’ rendering blues as orange, bright yellows as a vibrant azure and reds as hues of purple/blue. Aimed at the creative photographer SWITCH AZURE welcomes you to a world where pink and orange skies meet cyan bananas and blue strawberries.
Harman Switch films invite you to flip the familiar on its head and turn the everyday into something strange special. As the colours switch, ordinary scenes become unexpectedly extraordinary.
Iconic red London buses? Now they’re blue.
Yellow New York cabs? Not anymore!
Your friends? Think Smurfs… or maybe Avatar.
Sunsets? Reimagined in cool blues and dreamy purples.
From the everyday to the extraordinary, it’s time to switch the world around you.
The type of scanner used with Azure negatives can significantly alter how the digitized image will look.
Our films are cold stored @ 3° Celsius
