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120 products
Type: Colour Negative Film
Format: 135 / 35mm
Sensitivity: ISO 200/24°
Exposures: 36
Development: C-41
HARMAN Phoenix II: Sharper. Smoother. More Colourful.
Have you shot the original Phoenix? Wild, bold, unpredictable? Well, Phoenix II is the more refined younger sibling. Still full of character, but now with a sharper edge and a cleaner palette.
What’s new? What’s better? What’s different? Meet Phoenix II:
– Brand-new emulsion, straight from the HARMAN labs
– Smoother grain, less chaos, more clarity
– Improved contrast, more open shadows
– More accurate colours, that pop (scanner-dependent, of course)
– Wider exposure latitude (yet Phoenix II still loves precision)
– Better highlight and shadow retention
Bonus: It plays much nicer with lab scanners – defaults now deliver solid results, but for that perfect look, a little tweak in contrast and colour still helps.
Phoenix II is the evolution of its fiery predecessor. The vibe’s still raw, still exciting – but with a touch more control.
The spirit of experimentation lives on. HARMAN is listening, evolving, and reinvesting every sale straight back into the future of colour film. Use the QR code inside the box, tell them what you love (or don’t), and help shape what comes next.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 200/24°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
HARMAN Phoenix II: Sharper. Smoother. More Colourful.
Have you shot the original Phoenix? Wild, bold, unpredictable? Well, Phoenix II is the more refined younger sibling. Still full of character, but now with a sharper edge and a cleaner palette.
What’s new? What’s better? What’s different? Meet Phoenix II:
– Brand-new emulsion, straight from the HARMAN labs
– Smoother grain, less chaos, more clarity
– Improved contrast, more open shadows
– More accurate colours, that pop (scanner-dependent, of course)
– Wider exposure latitude (yet Phoenix II still loves precision)
– Better highlight and shadow retention
Bonus: It plays much nicer with lab scanners – defaults now deliver solid results, but for that perfect look, a little tweak in contrast and colour still helps.
Phoenix II is the evolution of its fiery predecessor. The vibe’s still raw, still exciting – but with a touch more control.
The spirit of experimentation lives on. HARMAN is listening, evolving, and reinvesting every sale straight back into the future of colour film. Use the QR code inside the box, tell them what you love (or don’t), and help shape what comes next.
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 135 / 35mm
Sensitivity: ISO 125/22°
Exposures: 36
Development: C-41
HARMAN SWITCH AZURE is a fun, playful, creative film. You can expect your colours to ‘SWITCH’ rendering blues as orange, bright yellows as a vibrant azure and reds as hues of purple/blue. Aimed at the creative photographer SWITCH AZURE welcomes you to a world where pink and orange skies meet cyan bananas and blue strawberries.
Harman Switch films invite you to flip the familiar on its head and turn the everyday into something strange special. As the colours switch, ordinary scenes become unexpectedly extraordinary.
Iconic red London buses? Now they’re blue.
Yellow New York cabs? Not anymore!
Your friends? Think Smurfs… or maybe Avatar.
Sunsets? Reimagined in cool blues and dreamy purples.
From the everyday to the extraordinary, it’s time to switch the world around you.
The type of scanner used with Azure negatives can significantly alter how the digitized image will look.
DX coded cassette
Our films are cold stored @ 3° Celsius
Type: Colour Negative Film
Format: 120 Medium Format
Sensitivity: ISO 125/22°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: C-41
HARMAN SWITCH AZURE is a fun, playful, creative film. You can expect your colours to ‘SWITCH’ rendering blues as orange, bright yellows as a vibrant azure and reds as hues of purple/blue. Aimed at the creative photographer SWITCH AZURE welcomes you to a world where pink and orange skies meet cyan bananas and blue strawberries.
Harman Switch films invite you to flip the familiar on its head and turn the everyday into something strange special. As the colours switch, ordinary scenes become unexpectedly extraordinary.
Iconic red London buses? Now they’re blue.
Yellow New York cabs? Not anymore!
Your friends? Think Smurfs… or maybe Avatar.
Sunsets? Reimagined in cool blues and dreamy purples.
From the everyday to the extraordinary, it’s time to switch the world around you.
The type of scanner used with Azure negatives can significantly alter how the digitized image will look.
Our films are cold stored @ 3° Celsius
Type: Black/White Negative Film
Format: 135 / 35mm
Sensitivity: ISO 100/21°
Exposures: 36
Development: B/W
ILFORD DELTA 100 PROFESSIONAL is a medium speed, black & white film that uses our latest Core-shell™ emulsion technology to deliver superb image quality and maximum sharpness.
Excelling in scenes that are detail rich, its exceptionally fine grain makes DELTA 100 the perfect choice for many applications or genres. Showing outstanding quality at its recommended rating of ISO 100/21°, DELTA 100 will also produce stunning results rated between ISO 50 and 200.
Our films are cold stored @ 3° Celsius
Type: Black/White Negative Film
Format: 120 Medium Format
Sensitivity: ISO 100/21°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: B/W
ILFORD DELTA 100 PROFESSIONAL is a medium speed, black & white film that uses our latest Core-shell™ emulsion technology to deliver superb image quality and maximum sharpness.
Excelling in scenes that are detail rich, its exceptionally fine grain makes DELTA 100 the perfect choice for many applications or genres. Showing outstanding quality at its recommended rating of ISO 100/21°, DELTA 100 will also produce stunning results rated between ISO 50 and 200.
Our films are cold stored @ 3° Celsius
Type: Black/White Negative Film
Format: 135 / 35mm
Sensitivity: ISO 3200/36°
Exposures: 36
Development: B/W
ILFORD DELTA 3200 Professional: Black and white film
This film is the right choice for taking photos in low light conditions or when shooting fast action. It is particularly suitable in dim light where you cannot use a flash.
Nominally rated at ISO 1000, Ilford DP3200 has been designed with push processing in mind. It responds very well to ISO 1600 and also 3200.
Our films are cold stored @ 3° Celsius
Type: Black/White Negative Film
Format: 120 Medium Format
Sensitivity: ISO 3200/36°
Exposures: 10 (6x7), 12 (6x6), 16 (6x45)
Development: B/W
ILFORD DELTA 3200 Professional: Black and white film
This 120 Medium Format film is the right choice for taking photos in low light conditions or when shooting fast action. It is particularly suitable in dim light where you cannot use a flash.
Nominally rated at ISO 1000, Ilford DP3200 has been designed with push processing in mind. It responds very well to ISO 1600 and also 3200.
Our films are cold stored @ 3° Celsius
